20-2, 015-11, 1880s, Cabinet Card, Lawrence Barrett (1838-1891) Stage Actor For Sale

20-2, 015-11, 1880s, Cabinet Card, Lawrence Barrett (1838-1891) Stage Actor 20-2, 015-11, 1880s, Cabinet Card, Lawrence Barrett (1838-1891) Stage Actor

Click images to enlarge

Description You are offerding on an original Antique 1880's Cabinet Card Photograph, Lawrence Barrett (1838-1891) Stage Actor, about 35 years old.

On this Cabinet card, Emil is playing "Wotan" in Wagner's Die Walküre.

To see all of my "Cabinet Cards" click here.


More Info:
Lawrence Patrick Barrett (April 4, 1838 – March 20, 1891) was an American stage actor.

Barrett began his career in 1853 in Detroit and made his first New York appearance in 1856. Barrett enlisted for the American Civil War in 1862, but resigned in 1863. He later managed the California Theatre in San Francisco from 1868 to 1870 alongside John McCullough. Barrett performed a variety of roles, including Hamlet, King Lear, and Macbeth. He was especially known for his portrayal of Cardinal Richelieu in Edward Bulwer-Lytton's drama.

Barrett acted in London on multiple occasions and produced and starred in several plays. He frequently collaborated with fellow stage actor Edwin Booth, touring together and achieving immense success. Barrett's health began to decline in 1890, and he died in 1891 during a performance of Richelieu.

His acting style was described as versatile and expressive, but some critics questioned his stage personations.

Barrett frequently worked with fellow stage actor Edwin Booth; he played Othello to Booth's Iago and Cassius to his Brutus in Julius Caesar. He wrote a sketch of his colleague for Edwin Booth and his Contemporaries (Boston, 1886). Shortly after, Barrett contacted Booth and suggested that the two tour together beginning in 1887 season. They worked together for the next several years and were immensely successful, both in popularity and in financial returns. As Booth reflected on Barrett's leadership and management, he wrote: "Well, why should I not do good work, after all Barrett has done for me... Good work, eh? Well, I'll give him the best that's in me, he deserves it."

Barrett married Mary F. Mayer in Boston on September 4, 1859, at the Cathedral of the Holy Cross in Boston. He was the grandfather of stage and screen actress Edith Barrett, the first wife of Vincent Price. (ref. Wikipedia)


Back is blank.
 
Photographer: Falk, 949 Broadway, NY

More Info:
Benjamin J. Falk
Time Period: 1877-1915
Location: 347 E. 14th Street, 947 Broadway, 13 W. 24th Street
Biography: (1853-1925)

When Napoleon Sarony died in 1896, Benjamin J. Falk ascended to the first place in the world of performing arts photography. Born on October 14th, 1853, Benjamin J. Falk grew up in New York City. He graduated from the College of the City of New York with a B.S. in 1872, while concurrently serving as a technician under photographer George Rockwood. His first ambition was to be a graphic artist, so he attended classes at the NY Academy of Design while maintaining a studio with Jacob Schloss. "Being naturally of an investigating turn of mind he interested himself in scientific studies. After making crayons for five years, he enlarged his studio into a photographic gallery. In 1881 he moved to Broadway, where the business grew rapidly, developing largely in the line of portraits of celebrities."

Falk’s first studio, located on 14th street, became wholly devoted to photography in 1877. His distance from the theater district, however, prompted his 1881 relocation to 947-49 Broadway. The Broadway Studio served for 11 years until high-rises obscured the sunlight needed to maintain a day long shooting schedule, forcing him to relocate to 13-15 East 24th Street. In 1900, Falk relocated to the roof of the Waldorf Astoria. The solarium supplied superb natural light during the day, and his 25x30 operating room became the envy of the photographic fraternity.

Card size: 4.25" x 6.5". #20-2, 015-11
 

The Cabinet Card was a style of photograph which was widely used for photographic portraiture after 1870. It consisted of a thin photograph mounted on a card typically measuring 108 by 165 mm (4+1⁄4 by 6+1⁄2 inches).

The carte de visite was displaced by the larger cabinet card in the 1880s. In the early 1860s, both types of photographs were essentially the same in process and design. Both were most often albumen prints, the primary difference being the cabinet card was larger and usually included extensive logos and information on the reverse side of the card to advertise the photographer’s services. However, later into its popularity, other types of papers began to replace the albumen process. Despite the similarity, the cabinet card format was initially used for landscape views before it was adopted for portraiture.

Some cabinet card images from the 1890s have the appearance of a black-and-white photograph in contrast to the distinctive sepia toning notable in the albumen print process. These photographs have a neutral image tone and were most likely produced on a matte collodion, gelatin or gelatin bromide paper.

Sometimes images from this period can be identified by a greenish cast. Gelatin papers were introduced in the 1870s and started gaining acceptance in the 1880s and 1890s as the gelatin bromide papers became popular. Matte collodion was used in the same period. A true black-and-white image on a cabinet card is likely to have been produced in the 1890s or after 1900. The last cabinet cards were produced in the 1920s, even as late as 1924.

Owing to the larger image size, the cabinet card steadily increased in popularity during the second half of the 1860s and into the 1870s, replacing the carte de visite as the most popular form of portraiture. The cabinet card was large enough to be easily viewed from across the room when typically displayed on a cabinet, which is probably why they became known as such in the vernacular. However, when the renowned Civil War photographer Mathew Brady first started offering them to his clientele towards the end of 1865, he used the trademark "Imperial Carte-de-Visite." Whatever the name, the popular print format joined the photograph album as a fixture in the late 19th-century Victorian parlor. (ref. Wikipedia)

If you have any questions about this item or anything I am saleing, please let me know.

Card Cond: VG-VG/EX (some wear), Please see scans for actual condition, (images 3,4 & 5 are for reference only).

This Cabinet Card would make a great addition to your collection or as a Gift (nice for Framing).

Visit My store

Please checkout my newest Collections with FREE S&H

Please checkout my 1880's Baseball Victorian Trade cards in my store

Please checkout my 1870's Baseball Tintypes in my store

Please checkout my Movie Glass Slides in my store

Please checkout my NASA Items in my store

To see all my Postcards

To see all my Movie Items

To see all my Disney Items

To see all my Baseball Items

To see all my Boy Scout Cards

To see all my Stereoview Cards

Add me to your Favorite Sellers and Sign up for my NewsletterThis Item will be shipped securely. I will combine lots to save on the shipping costs and I use USPS Ground Advantage (the old 1st class) shipping (it gives both of us tracking of the package).
 Please look at my other sales for more Collectibles of the 1800's-1900's.  Pictures sell!
Auctiva offers Free Image Hosting and Editing.300+ Listing Templates!
Auctiva gets you noticed!

The complete Selling Solution.

Track Page Views With
Auctiva's Counter