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For your consideration is an exceptionally rare and historically significant original 1927 real-photo postcard of Princess Olga zu Schaumburg-Lippe, ne Duchess Olga Alexandrine Marie of Wrttemberg (18761932), personally signed and dated by Olga on the photographic image itself. Measuring approximately 3.5 by 5.5 inches, the card presents Olga standing full-length in an informal architectural setting, probably at or near Ludwigsburg Palace, where she spent much of her later life. The recto bears her bold original manuscript autograph Olga, followed by the date 1927, written directly across the photographic surface in dark ink.
Born in Stuttgart on 1 March 1876, Olga was the younger twin daughter of Duke Eugen of Wrttemberg and Grand Duchess Vera Konstantinovna of Russia, linking her directly to both the Wrttemberg and Romanov dynasties. Through her mother she was a granddaughter of Grand Duke Konstantin Nikolaevich of Russia, son of Emperor Nicholas I. In 1898 she married Prince Maximilian of Schaumburg-Lippe, becoming Princess Maximilian of Schaumburg-Lippe. Widowed in 1904, she later lived principally at Ludwigsburg and remained closely connected with the Wrttemberg court and its extended dynastic circle.
The verso contains a substantive personal message in Olgas own hand rather than a simple autograph. It reads: Herzlichen Dank / von Mama und mir / fr die freundlichen / Pfingstgre / und viele Gre. This translates as: Heartfelt thanks from Mama and me for the kind Pentecost greetings, and many greetings. The message was evidently written to an unidentified personal correspondent who had sent Pentecost greetings to Olga and the woman she refers to as Mama. Because Olgas own mother, Grand Duchess Vera, had died in 1912, the identity of this Mama cannot presently be established with certainty and should remain unassigned. A faint later pencil identification at the top and the notation RRR!! at lower right are collector annotations and are not part of Olgas original correspondence.
The card survives in attractive original condition with light age-related toning and mild fading to the photographic image, while the portrait, recto autograph, 1927 date, and verso message remain clearly legible. As both a signed royal photograph and a personal correspondence card, this is substantially more significant than an ordinary autograph postcard. It preserves not only Olgas likeness and signature, but also a direct personal message from a member of the Wrttemberg and Romanov dynastic families, making it a compelling artifact of European royal history, early twentieth-century photography, and private aristocratic correspondence.