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Easter Hats Magazine Feature 1944 - Starlet Louise Currie Cloche Four Styles
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Out of canary-colored tulle, West Coast designer Kenneth Hopkins cre-ates a sailor brim as sweet and as multi-layered as a napoleon pastry.
Sally Victor\'s new \"hair-free\" hat bunches of pink rose petais joined by a velvet bandeau is a bow to addicts of the hatless and smooth-on-top trends.
Glorifying the popular \"half-hat\" she invented, Lilly Daché entwines a wide mesh band with spring flowers, fastens it like a coif at the nape of the neck.
Reviving the head-hugging cloche of the twenties, John-Frederics goes gala with a bouquet of yarn and sequin flowers. It\'s a hat to rally milady\'s morale.
Easter Hats
The bonnets that bloom in the spring, tra la, are inevitably flowerlike and flattering, designed to march in the Easter parade, Evidence that America\'s foremost milliners are in agreement this season is presented here with pictures of four hats designed especially for LOOK by Lilly Daché, John-Frederics, Sally Victor and California\'s Kenneth Hopkins.
It is no millinery secret that the new hats-modeled here by Hollywood starlet Louise Currie are all small, pretty and hug the head. From the sauciest sailor (upper left) to the revival of the cloche (lower right) they are devised to accommodate the smooth-on-top hair-do of today. And, with hat sales hitting a new high due to dress restrictions, top designers have bowed to mass manufacture. The average woman will invest heavily in headgear this spring.