14\" inch ETCHED PATHE 1912 IMPERIAL SYMPH Lilian Bryant VOICE OF BELLS/ MORAIMA For Sale

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Alexandre Luigini, ca. 1880

rare 14\" Vertical Pathe Sapphire record:

Early PATHE record of once famous Paris composer Alexandre Luigini Ballet Egyptien
\"The Voice of the Bells\" (originally known in French as La Voix des Cloches) is a Romantic-era classical composition
Spanish Composer Gaspar Espinosa Moraima - Capricho Caracteristico
original composition for piano, composed in 1882.


\"The Voice of the Bells\" (originally known in French as La Voix des Cloches) is a Romantic-era classical composition written by the French composer and conductor Alexandre Luigini.

The Imperial Symphony Orchestra (often credited as the Imperial Symphony Orchestra of London) was a house orchestra for Pathé Frères during the acoustic recording Frequently directed or conducted by Lilian Bryant



Original issueBritish 14\" Etched label center start Pathe. Made in France
2061(79511, 79512)

14\" Etched label center start Pathe Vertical Sapphire Record, Made in France.


CONDITION: EXCELLENTPRISTINE, record is flat and undamaged, faint scuffs do not sound, the ocher pigment filling in the label is strong with no wash outs. Plays amazing very quiet

AMAZING SOUND

A CHOICE COPY



Will be packed between several layers of cardboard in a large oversized box for safe shipping.

Ballet égyptien, Op. 12 (1875), is Alexandre Luigini\'s best-known composition and the only one of his works in the standard repertoire. It was dedicated to Jules Pasdeloup. The ballet consists of eight movements, from which two different concert suites have been extracted. The first suite is the better known.

It originally gained prominence when it was included in Act II of Giuseppe Verdi\'s opera Aida for a performance in Lyon in 1886. The fame of the piece inspired Luigini to write other pieces on exotic themes, such as Ballet russe, Marche d\'émir,[1] and symphonic poems Fête arabe, Op. 49 and Carnaval turc, Op. 51.[2]

Ballet égyptien has been arranged for piano solo, 2 pianos 4-hands and 2 pianos 8-hands,[3] as well as for brass band.

It has been recorded numerous times, by conductors such as Anatole Fistoulari, John Lanchbery, Jean Fournet and Richard Bonynge. It often appears in compilations of light music.[4]

It is perhaps best known as the background music used by the British music hall act Wilson, Keppel and Betty for their \"sand dance\". It also appears as music in 1930\'s Arctic Antics.[5]

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