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Up for sale "Summer of '42" Herman Raucher Hand Signed First Day Cover Dated 1949.
ES-3204
Herman Raucher (born
April 13, 1928) is an American author and screenwriter. He is best known for
writing the autobiographical screenplay and novel Summer of '42, which became one of the highest-grossing
films and one of the best selling novels of the 1970s, respectively. He began
his writing career during the Golden Age of Television,
when he moonlighted as a scriptwriter while working for a Madison Avenue advertising agency. He effectively retired
from writing in the 1980s after a number of projects failed to come to
fruition, though his books remain in print and a remake of one of his
films, Sweet November, was
produced in 2001. Raucher was born in Brooklyn, New York, the son of Sophie
(Weinshank) and Benjamin Brooks Raucher. His father was a World War I
veteran whom Raucher recalled as having a bayonet wound across his forehead.
The family's financial situation fluctuated according to the success of the
elder Raucher's career. During more profitable years, the family vacationed on
Nantucket. During one such trip, when he was fourteen, Raucher developed a
friendship with an older woman he identified as "Dorothy", a war bride whose husband was fighting in Europe, an event
which formed the basis for Summer of '42. During this time, Raucher's best friend was
a boy named Oscar "Oscy" Seltzer, who became a United States Army medic and
who died during the Korean War while
tending to a wounded soldier. After
graduating from high school, Raucher attended New York University, where he
studied advertising and worked as a cartoonist for $38 per week, drawing comic
strips. After graduating he became an office boy at 20th Century Fox and eventually worked his way into
advertising; Raucher was known for his hobby of writing plays, which several ad
executives believed to be the mark of a creative genius. Raucher proved
successful as an ad man, and was part of the advertising team that developed
the ad campaign for the opening of Disneyland. While
working as an ad executive, Raucher simultaneously pursued a writing career,
and several of his plays were successfully staged on Broadway, including Harold,
one of the earliest plays to feature Anthony Perkins. Raucher also wrote for television, with short
plays being featured as segments on a number of variety shows. A film agent saw
a preliminary draft of the script for Raucher's play Sweet November and
helped Raucher negotiate a sale of the script to Warner Brothers. While working on Sweet November,
Raucher befriended Anthony Newley, with whom
he shared a lifelong friendship; Newley later became the godfather to Raucher's
youngest daughter. Following the success of Sweet November, Raucher
helped Newley co-write Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?,
which became a cult film. Inspired by several of his friends who expressed
liberal sentiments while retaining racist ideologies, Raucher wrote the script
for Watermelon Man. He
successfully sold the script and partnered with Melvin van Peebles on
making the film, though he was displeased with van Peebles' desire to alter his
script in order to make the picture a black power movie. Due to the two's tense relationship,
Raucher novelized his original script, both to retain his original message and
to prevent van Peebles from publishing his own version of the story.[2] Peebles' idea to turn Watermelon
Man into the first black power picture later becameSweet Sweetback's Badass
Song. For much of his early career, Raucher had attempted to
sell a screenplay based on his experiences with Dorothy and Oscar Seltzer;
after seven years he successfully sold the script of Summer of '42 to Robert Mulligan, who was looking to recreate the success
of To Kill a Mockingbird.
Although the script originally began as a tribute to Seltzer, Raucher instead
found himself focusing more on Dorothy. Warner Bros., fearful that the movie
would be a box office bomb, not only
agreed to give Raucher a large share of the royalties in lieu of payment but
also paid him to write a novelization of his script in an effort to drum up
interest in the movie. Using the opportunity, Raucher focused the novel more on
his relationship with Seltzer and less on Dorothy. Against expectation, Summer
of '42 became a national bestseller and helped drive the movie to
become one of the highest-grossing films of the 1970s. Raucher continued to
write prolifically throughout the 1970s, ultimately publishing six novels and
penning six screenplays throughout the decade. He effectively retired in the
1980s, when a number of planned film projects failed to materialize, notably a
film adaptation of his bestselling novel There Should Have Been
Castles, a period piece about 1950s artists partially inspired by
his early career, which studio executives said was too lewd to successfully market.
Despite this, Summer of '42 has continued to be a cultural
phenomenon, with a Broadway show based on the film being produced in 2001. A
planned film of Maynard's House, Raucher's sole horror novel, was
trapped in development hell for much of the 1990s and 2000s, with the rights
last belonging to Studio Canal, which
planned to produce it under the title Ara/Froom.