TELL IT TO THE MARINES - TOBY PRESS - 1952-1955 - ORIGINAL ARTWORK - USMC For Sale

ORIGINAL ART FOR \" TELL IT TO THE MARINES \" by Toby Press published from 1952-1955. This sale is for 4 full sheets of artwork. Each page is on heavy stock and measures 14\" x 22\". This series is called \" UNCLE JOE - PORKER FIRST CLASS \". There are notes in the borders and each page has the TOBY PRESS INC, 17 East 45th Street, New York 17. NY stamp and \'TELL IT TO THE MARINES\". These are Flats 3, 4, 5 & 6 pages 19, 20, 21 & 22. Very good condition. The first 4 photos show the full page of each of the 4 pages and the other photos show close ups of parts of each page. Will ship USPS Priority Mail FLAT as they are too rigid to be rolled. Cost will be calculated by the calculator.
Toby Press was an American comic-book company that published from 1949 to 1955. Founded by Elliott Caplin, brother of cartoonist Al Capp and himself an established comic strip writer, the company published reprints of Capp\'s Li\'l Abner strip; licensed-character comics starring such film and animated cartoon properties as John Wayne and Felix the Cat; and original conceptions, including romance, war, Western, and adventure comics. Some of its comics were published under the imprint Minoan. Some covers bore the logo ANC, standing for American News Company, at the time the country\'s largest newsstand distributor.
HistoryElliott Caplin entered the comic-book field as editor of True Comics for the Parents Magazine Institute.[2] Some years later, he founded Toby Press with reprints of his brother Al Capp\'s popular newspaper comic strip Li\'l Abner, a satire built around hillbilly archetypes. The first Toby comic-book series was Al Capp\'s Li\'l Abner, which began with issue #70 (May 1949), picking up the numbering from Harvey Publications\' Li\'l Abner Comics.[3] It ran 28 issues, through #97 (Jan. 1955) Toby\'s second title was the three-issue Al Capp\'s Dogpatch Comics, numbered #71, followed by #2–3 (June–Dec. 1949).[4] These issues reprint Li\'l Abner strips that the newspaper syndicate United Feature had published in the omnibus comic-book Tip Top #112–114 (Nov. 1946 – Jan. 1947). Following through 1952 were Al Capp\'s Shmoo Comics #1–5 (July 1949 – April 1950); Al Capp\'s Wolf Gal #1–2 (1951–1952); and a series of pocket-sized, 6.75 × 3.5-inch, one-shot comics produced as premiums for Oxydol and Dreft detergents: Al Capp\'s Shmoo in Washable Jones\' Travels; Al Capp\'s Daisy Mae in Ham Sangwidges also Cousin Weakeyes, and Al Capp\'s Li\'l Abner in The Mystery o\' the Cave!![4]
Toby\'s next series was John Wayne Adventure Comics, named after the actor and frequently featuring photo covers bearing scenes from his movies. It ran 31 issues (Winter 1949/1950–May 1955) and spawned its own Oxydol/Dreft pocket-sized premium, John Wayne: The Cowboy Trouble-Shooter! Further such premiums included Archie in Mask Me No Questions, featuring the Archie Comics teen-humor star; and Paul Terry\'s Terry-Toon Comics (both 1950).[4]
In its brief existence, Toby Press published in a wide variety of genres, including cartoon animal, with the 42-issue Felix the Cat (1951–June 1955, taking over the numbering from the Dell Comics series), which spawned spin-offs including Felix the Cat 3D Comic Book (1953); Western, with the likes of Gabby Hayes Western, a one-shot starring the movie sidekick, and the 29-issue Billy the Kid Adventure Magazine; war comics such as the 15-issue Tell It to the Marines and the six-issue Monty Hall of the U.S. Marines (no relation to the game-show host); the genre-evident Great Lover Romances and Tales of Horror; the medieval-adventure one-shot The Black Knight, with art by Ernie Schroeder; and even a two-issue comic Captain Tootsie, that starred the heroic mascot of Tootsie Roll candy.[5]
Toby went out of business in 1955, a victim of the anti-comics sentiment stirred in that era by Dr. Fredric Wertham\'s book Seduction of the Innocent and the United States Senate Subcommittee on Juvenile Delinquency.[6] Toby\'s final comic, Felix the Cat #61, was cover-dated June 1955.
MinoanUnder the imprint Minoan, which featured a Minotaur head as the company logo, Toby Press published Dr. Anthony King, Hollywood Love Doctor, a four-issue romance comic; the seven-issue Western series Return of the Outlaw;[7] and the 13-issue Tales of Horror.[8] Minoan also published Bust Out Laffin\', a digest-sized, single-panel cartoon.[4]
Titles publishedSource:[4][9]
Toby PressA-Laff-A-Minnit #1-2 (1953?-1954?) / A-Laugh-A-Minnit #3-14 (1954?-1956). Issues #15-16 under Minoan.Al Capp\'s Dogpatch Comics, issue #71 (June 1949), followed by #2–3 (Aug. & Dec. 1949)[10] Comic-strip reprints. One source gives a fourth issue, contents unknown.[11]Al Capp\'s Li\'l Abner, issues #70–97 (May 1949 – Jan. 1955) Comic-strip reprints. Numbering continued from Harvey Publications\' Li\'l Abner Comics.[3]Al Capp\'s Li\'l Abner Joins the Navy #1 (1951)[12]Al Capp\'s Shmoo Comics #1–5 (July 1949 – April 1950)Al Capp\'s Wolf Gal #1–2 (1951–1952)Barney Google and Snuffy Smith #1-4 (June 1951 - Feb. 1952)Belly Laffs #1-6 (1955 - 1956)Big Tex #1 (June 1953)The Big Top Comics #1-2 (1951)[13]Billy the Kid Adventure Magazine #1-29 (Oct. 1950 – [June] 1955)The Black Knight one-shot (May 1953)Buck Rogers #100-101, 9 (Jan., May & June 1951) Comic-strip reprints.Bust Out Laffin\' #1-15 (1954 - 1955)Captain Tootsie, #1-2 (Oct.–Dec. 1950)Danger Is Our Business! #1-3 (Dec.] 1953 - April 1954)Dick Wingate of the United States Navy #1 (Jan. 1951)[14]Dogpatch Styles Presents Li\'l Abner (1949? giveaway)Felix the Cat #20–61 (May 1951 – June 1955) Numbering from the Dell Comics series. Also a 1953 summer annual and a 1954 winter annual.Felix the Cat 3D Comic Book (1953)[15]Felix the Cat and His Friends #1-3 (Dec. 1953 - July 1954)[16]Fighting Leathernecks #1-6 (Feb.-Dec. 1952)Gabby Hayes Western #1 (Dec. 1953)Great Lover Romances (March 1951 – May 1955); issues #3-4 titled Young Lover RomancesHe-Man #1-2 (May–July 1954)John Wayne Adventure Comics #1-31 (Winter 1949/1950 – May 1955)Johnny Danger Private Detective #1 (Aug. 1954)[17]Jon Juan #1 (Spring 1950)Judy Joins the Waves #1 (1951)Kokey Koala #1 (May 1952)Mammy Yokum and the Great Dogpatch Mystery (1956 giveaway)Meet Merton #1-4 (Dec. 1953 - June 1954)Monty Hall of the U.S. Marines #1-11 (Aug. 1951 - April 1953)Pin-Up Pete #1 (1952)Ramar of the Jungle #1 (1954)Return of the Outlaw #107 (Feb. 1953 - 1955)[18]Sands of the South Pacific #1 (Jan. 1953)Sorority Secrets #1 (July 1954)Super Brat #1-4 (Jan.-July 1954)[19]T.N.T. #1-10 (1954 - 1956)Tales of Horror #10-13 (April- Oct. 1954). Issues #1-9 under Minoan.Tales of Terror #1 (1952)Tell It to the Marines #1-15 (March 1952 - July 1955)True Movie and Television #1-4 (Aug. 1950 - March 1951)Two-Bit the Wacky Woodpecker #1-3 (1951 - May 1953)Washable Jones and Schmoo #1 (June 1953)With the Marines on the Battlefronts of the World #1-2 (1953 - March 1954)Yo\' Bets Yo\' Life! (1955 giveaway)Oxydol and Dreft premium one-shot digest titles (1950):Al Capp\'s Daisy Mae in Ham Sangwidges also Cousin WeakeyesAl Capp\'s Li\'l Abner in The Mystery o\' the Cave!!Al Capp\'s Shmoo in Washable Jones\' TravelsArchie in Mask Me No QuestionsJohn Wayne: The Cowboy Trouble-Shooter!Paul Terry\'s Terry-Toon Comics
Lore of the CorpsStarting in boot camp, all Marines study the actions of those who have served before them. The history of the Marine Corps is a rich tapestry weaving together the contributions of all Marines. Over the past two centuries, certain aspects of the Corps’ history have taken on an almost legendary status. Below are examples of some of the stories, terms, and traditions that have come to be known as the “Lore of the Corps.”TheThe Blood StripeMarine Corps tradition maintains that the red stripe worn on the trousers of officers and noncommissioned officers, and commonly known as the “blood stripe,” commemorates those Marines killed storming the castle of Chapultepec in 1847. Although this belief is firmly embedded in the traditions of the Corps, it has no basis in fact. The use of stripes clearly predates the Mexican War.
In 1834, uniform regulations were changed to comply with President Andrew Jackson’s wishes that Marine uniforms return to the green and white worn during the Revolutionary War. The wearing of stripes on the trousers began in 1837, following the Army practice of wearing stripes the same color as uniform jacket facings. Colonel Commandant Archibald Henderson ordered those stripes to be buff white. Two years later, when President Jackson left office, Colonel Henderson returned the uniform to dark blue coats faced red. In keeping with earlier regulations, stripes became dark blue edged in red. In 1849, the stripes were changed to a solid red. Ten years later uniform regulations prescribed a scarlet cord inserted into the outer seams for noncommissioned officers and musicians and a scarlet welt for officers. Finally, in 1904, the simple scarlet stripe seen today was adopted.
\"Leatherneck\"In 1776, the Naval Committee of the Second Continental Congress prescribed new uniform regulations. Marine uniforms were to consist of green coats with buff white facings, buff breeches and black gaiters. Also mandated was a leather stock to be worn by officers and enlisted men alike. This leather collar served to protect the neck against cutlass slashes and to hold the head erect in proper military bearing. Sailors serving aboard ship with Marines came to call them “leathernecks.”
Use of the leather stock was retained until after the Civil War when it was replaced by a strip of black glazed leather attached to the inside front of the dress uniform collar. The last vestiges of the leather stock can be seen in today’s modern dress uniform, which features a stiff cloth tab behind the front of the collar.
The term “leatherneck” transcended the actual use of the leather stock and became a common nickname for United States Marines. Other nicknames include “soldiers of the sea,” “devil dogs,” and the slightly pejorative “gyrene,” (a term which was applied to the British Royal Marines in 1894 and to the U.S. Marines by 1911), and “jarhead.”Semper Fidelis\"Semper Fidelis\"The Marine Corps adopted the motto “Semper Fidelis” in 1883. Prior to that date three mottoes, all traditional rather than official, were used. The first of these, antedating the War of 1812, was “Fortitudine.” The Latin phrase for “with courage,” it was emblazoned on the brass shako plates worn by Marines during the Federal period. The second motto was “By Sea and by Land,” taken from the British Royal Marines “Per Mare, Per Terram.” Until 1848, the third motto was “To the shores of Tripoli.” Inscribed on the Marine Corps colors, this commemorated Presley O’Bannon’s capture of the city of Derna in 1805. In 1848, this was revised to “From the halls of the Montezuma to the shores of Tripoli.”
“Semper Fidelis” signifies the dedication that individual Marines have to “Corps and country,” and to their fellow Marines. It is a way of life. Said one former Marine, “It is not negotiable. It is not relative, but absolute…Marines pride themselves on their mission and steadfast dedication to accomplish it.”\"Devil Dogs\"PictureAccording to Marine Corps tradition, German soldiers facing the Marines at Belleau Wood called them teufelhunden. These were the devil dogs of Bavarian folklore - vicious, ferocious, and tenacious. Shortly thereafter, a Marine recruiting poster depicted a dachshund, wearing an Iron Cross and a spiked helmet, fleeing an English bulldog wearing the eagle, globe and anchor.
A tradition was born. Although an “unofficial mascot,” the first bulldog to “serve” in the United States Marine Corps was King Bulwark. Renamed Jiggs, he was enlisted on 14 October 1922 for the “term of life.” Enlistment papers were signed by Brigadier General Smedley D. Butler. Although he began his career as a private, Jiggs was quickly promoted to the rank of sergeant major. His death at the age of four was mourned throughout the Corps. His body lay in a satin-lined casket in a hangar on Marine Corps Base Quantico until he was buried with military honors.
Other bulldogs followed in the tradition of Jiggs. From the 1930s through the early 1950s, the name of the bulldogs was changed to Smedley as a tribute to Major General Butler. In the late 1950s, the Marine Barracks in Washington became the new home for the Marine Corps’ bulldog. Chesty, named in honor of the legendary Lieutenant General Lewis B. “Chesty” Puller, Jr, made his first public appearance on 5 July 1957.
Today the tradition continues. The bulldog, tough, muscular and fearless, has come to epitomize the fighting spirit of the United States Marine Corps.8th and IPictureA notice posted in the Washington newspaper National Intelligence on 3 April 1801 offered “a premium of 100 dollars” for the “best plan of barracks for the Marines sufficient to hold 500 men, with their officers and a house for the Commandant.” The site for the barracks, near the Washington Navy Yard and within marching distance of the Capitol, was chosen by President Thomas Jefferson, who rode through Washington with Lieutenant Commandant William W. Burrows.
The competition was won by George Hadfield, who laid out the barracks and the house in a quadrangle. The barracks were established in 1801, the house, home of the Commandant of the Marine Corps, was completed in 1806. It is the oldest public building in continuous use in the nation’s capital.
Marine Corps traditions holds that when Washington was burned by the British during the War of 1812, both the Commandant’s House and the barracks were spared out of respect for the bravery shown by Marines during the Battle for Bladensburg.
Today, 8th and I is home to one of the most dramatic military celebrations in the world -- The Evening Parade. Held every Friday evening from May through August, the Evening Parade features “The President’s Own” United States Marine Band, “The Commandant’s Own” The United States Marine Drum and Bugle Corps, and the Marine Corps Silent Drill Platoon. It has become a lasting symbol of the professionalism, discipline, and esprit de Corps of the United States Marines, a celebration of the pride taken in a history that spans more than 230 years.The Eagle, Globe and AnchorEagle, Globe and AnchoeThe origins of the eagle, globe, and anchor insignia worn by Marines can be traced to those ornaments worn by early Continental Marines as well as to the British Royal Marines.
In 1776, Marines wore a device depicting a fouled anchor. Changes were made to that device in 1798, 1821, and 1824. An eagle was added in 1834. The current insignia dates to 1868 when Brigadier General Commandant Jacob Zeilin convened a board “to decide and report upon the various devices of cap ornaments of the Marine Corps.” A new insignia was recommended and approved by the Commandant. On 19 November 1868, the new insignia was accepted by the Secretary of the Navy.
The new emblem featured a globe showing the western hemisphere intersected by a fouled anchor and surmounted by an eagle. Atop the device, a ribbon was inscribed with the Latin motto “Semper Fidelis.” The globe signified the service of the United States Marines throughout the world. The anchor was indicative of the amphibious nature of the Marine Corps. The eagle, symbolizing a proud nation, was not the American bald eagle, but rather a crested eagle, a species found throughout the world.
On 22 June 1954, President Dwight D. Eisenhower signed an Executive Order which approved the design of an official seal for the United States Marine Corps. Designed at the request of General Lemuel C. Shepherd, Jr., Commandant of the Marine Corps, the seal replaced the crested eagle with the American bald eagle, its wings proudly displayed. With the approval of this seal by the President of the United States in 1955, the emblem centered on the seal was adopted as the official Marine Corps emblem.
The eagle, globe, and anchor insignia is a testament to the training of the individual Marine, to the history and traditions of the Marine Corps, and to the values upheld by the Corps. It represents “those intangible possessions that cannot be issued: pride, honor, integrity, and being able to carry on the traditions for generations of warriors past.” Said retired Sergeant Major David W. Sommers, “the emblem of the Corps is the common thread that binds all Marines together, officer and enlisted, past and present…The eagle, globe and anchor tells the world who we are, what we stand for, and what we are capable of, in a single glance.”The Marine HymnFollowing the Barbary Wars of 1805, the Colors of the Corps were inscribed with the words “to the shores of Tripoli.” After the capture and occupation of Mexico City in 1847, the Colors were changed to read “from the shores of Tripoli to the Halls of Montezuma.” These events in Marine Corps history are the origin of the opening words of the Marines’ Hymn.
Tradition holds that the words to the Marines’ Hymn were written by a Marine serving in Mexico. In truth, the author of the words remains unknown. Colonel Albert S. McLemore and Walter F. Smith, Assistant Band Director during the John Philip Sousa era, sought to trace the melody to its origins. It was reported to Colonel McLemore that by 1878 the tune was very popular in Paris, originally appearing as an aria in the Jacques Offenbach opera Genevieve de Brabant. John Philips Sousa later confirmed this belief in a letter to Major Harold Wirgman, USMC, stating “The melody of the ‘Halls of Montezuma’ is taken from Offenbach’s comic opera...”
Its origins notwithstanding, the hymn saw widespread use by the mid-1800s. Copyright ownership of the hymn was given to the Marine Corps per certificate of registration dated 19 August 1891. In 1929, it became the official hymn of the United States Marine Corps with the verses shown on the right.
On 21 November 1942, the Commandant of the Marine Corps authorized an official change in the first verse, fourth line, to reflect the changing mission of the Marine Corps. The new line read \"in the air, on land and sea.\" That change was originally proposed by Gunnery Sergeant H.L. Tallman, an aviator and veteran of World War I.
Shortly after World War II, Marines began to stand at attention during the playing of The Marines’ Hymn, Today that tradition continues today to honor all those who have earned the title \"United States Marine.\"
00:0000:00The Marines\' HymnFrom the Halls of Montezumato the Shores of Tripoli,We fight our country’s battlesOn the land as on the sea.First to fight for right and freedom,And to keep our honor clean,We are proud to claim the titleof United States Marine.\"Our flag’s unfurl’d to every breezeFrom dawn to setting sun;We have fought in every clime and placeWhere we could take a gun.In the snow of far-off northern landsAnd in sunny tropic scenes,You will find us always on the jobThe United States Marines.\"Here’s health to you and to our CorpsWhich we are proud to serve;In many a strife we’ve fought for lifeAnd never lost our nerve.If the Army and the NavyEver look on Heaven’s scenes,They will find the streets are guardedBy United States Marines.\"