1961 Film MOVIE POSTER Israel CHARLIE CHAPLIN REVUE Hebrew DOG\'S LIFE Pilgrim For Sale

DESCRIPTION : Here for sale is an EXCEPTIONALY RARE and ORIGINALHebrewPOSTER for the ISRAEL 1961PREMIERErelease of the CHARLIE CHAPLIN legendary film\"THE CHAPLIN REVUE\" in the small rural town of NATHANYA in ISRAEL.The film \"The Chaplin Revue\" ( LA REVUE DE CHARLOT ) is a 1959 film comprising three silent films made byCharlie Chaplin. The three shorts included areA Dog\'s Life,Shoulder Arms, andThe Pilgrim. All three star Chaplin\'s trademark character,The Tramp. For the 1959 release, Chaplin added asoundtrackto help appeal to modern audiences. Chaplin also added extra footage including clips fromWorld War Ito express the context. He provides a personal introduction to each of the clips.The cinema-movie hall \" SHARON\" , A kind of local Israeli version of \"Cinema Paradiso\" was printing manualy its own posters , And thus you can be certain that this surviving copy is ONE OF ITS KIND. Fully DATED 1961. Text in HEBREW andFrench.Please note : This is NOT a re-release poster but a PREMIERE - FIRST RELEASE projection of the film ,Only oneyearafter itsrelease in 1959-60 in Europe , USA and worldwide . The ISRAELI distributors of the film have given it an INTERESTING and quite archaic and amusing advertising and promotingaccompany text. The new Hebrew name they provided the film with was \" THE CHAPLIN PARADE\".GIANT size around 28\" x 38\" ( Not accurate ). Printed in red and blue . The condition isquitegood .Folded twice. Somewhat creased and stained - Nothing which a framed glass won\'t hide and improve.( Pls look at scan for accurate AS IS images )Poster will be sent rolled in a special protective rigid sealed tube.

AUTHENTICITY :The POSTER is fullyguaranteed ORIGINALfrom1961 ( dated ), It is NOT a reproduction or a recentlymadereprint or an immitation ,Itholds awith life longGUARANTEE for itsAUTHENTICITY and ORIGINALITY.

PAYMENTS: Payment method accepted : Paypal .SHIPPMENT: SHIPP worldwide via registered airmailis $ 25.Posterwill be sent rolled in a special protective rigid sealed tube. Will besent around 5-10 days after payment .

The Chaplin Revue is a 1959 film comprising three silent films made by Charlie Chaplin. The three shorts included are A Dog\'s Life, Shoulder Arms, and The Pilgrim. All three star Chaplin\'s trademark character, The Tramp. For the 1959 release, Chaplin added a soundtrack to help appeal to modern audiences. Chaplin also added extra footage including clips from World War I to express the context. He provides a personal introduction to each of the clips. Current releases of the compilation on DVD also feature other Chaplin films produced with First National, including The Idle Class, Pay Day, A Day\'s Pleasure, and Sunnyside, with Chaplin\'s 1918 propaganda short The Bond as a special feature. Introductions by David Robinson, and behind-the-scenes footage are also included. Contents 1 Background2 A Dog\'s Life3 Shoulder Arms4 The Pilgrim5 Cast6 Crew7 Release dates8 Reception9 References Background During the silent era, Charlie Chaplin was one of the biggest stars in Hollywood. Unfortunately for Chaplin though, he fell victim to McCarthyism and in the 1950s, he lived in exile in Switzerland with his wife Oona O\'Neill. He latest three films, Monsieur Verdoux, Limelight, and A King in New York, were not universally acclaimed and his star power was fading. The idea of reviving his role as The Tramp for modern audiences was entertained.[1] Chaplin had often used scenes featuring The Tramp, such as The Tramp\'s final appearance in Modern Times, as a vehicle for expressing his ideas. Critic and friend James Agee wrote a script placing Chaplin\'s trademark character, the Tramp, in apocalyptic New York.[2] Chaplin decided the best way to bring the tramp into the new era was by re-releasing three silent films he made with First National as a feature length film. Released in 1959, The Chaplin Revue consisted of A Dog\'s Life, Shoulder Arms and The Pilgrim – each of which was introduced by Chaplin and juxtaposed with behind the scenes footage and clips from World War I. A Dog\'s Life Main article: A Dog\'s Life Charlie\'s tramp lives alone on the street. He persistently tries to get a job but there are none left at the employment agency when he gets there. Down and out, Charlie returns to the streets to find Scraps, a stray dog being attacked. He rescues her and the two form a bond. They fill the gap in each other\'s lives and they are no longer lonely – or hungry. Later, they attend a music hall where Edna Purviance is singing while being annoyed by the club\'s patrons. Charlie and Scraps are kicked out and Edna is fired. Scraps finds money in a lost wallet, which is then stolen by a pack of thieves. Charlie manages to thwart their theft and he, Scraps, and Edna enjoy their newfound happiness, together. Shoulder Arms Main article: Shoulder Arms Originally released in the USA in October 1918, the relatively short black and white silent film ran for 46 minutes and finds Charlie playing the new recruit in the war effort against the Germans. Charlie has no friends and seems to make enemies with his allies at the drop of the hat. Through sheer dumb luck, Charlie stumbles into the enemy trenches and captures 13 German soldiers. After this \"heroic\" act, Charlie is given the duty of infiltrating enemy lines further under the guise of a tree trunk. His shining moment comes when he is hunted down by the Kaiser but with some quick thinking, reverses the ambush and captures the Kaiser for the allies. His fellow soldiers cheer him as a great wartime hero. He then awakes from his dream. The Pilgrim Main article: The Pilgrim (1923 film) An escaped convict (Chaplin) dons the vesture of a clergyman and is mistakenly appointed as the new pastor of the small town of Devil\'s Gulch. After acquainting himself with a local mother and daughter, and subsequently moving in with them, one of his former buddies from prison arrives and steals from the two women. Charlie tries to get their money back but his former life is discovered by the sheriff who takes him to the border of Mexico; facing life as a convict if he returns. Cast Actor A Dog\'s Life Shoulder Arms The Pilgrim Charlie Chaplin The Tramp A Recruit An escaped convict Edna Purviance Bar Singer French Girl Miss Brown Syd Chaplin Lunchwagon Owner The Kaiser Boy\'s Father Henry Bergman Unemployed man Field Marshal Sheriff on train Charles Reisner Agency Clerk - Crook Albert Austin Clerk Chaffeur - Tom Wilson Policeman Sergeant - Loyal Underwood - Short German Officer Elder Jack Wilson - Crown Prince - John Rand - German Soldier - J. Park Jones - U.S. Soldier - Tom Murray - - Sheriff Bryan Dean Riesner - - Little Boy Mai Wells - - Little Boy\'s Mother Mack Swain - - Deacon Kitty Bradbury - - Mrs. Brown (Edna\'s Mother) M.J. McCarthy Unemployed man - - Mel Brown Unemployed man - - Charles Force Unemployed man - - Bert Appling Unemployed man - - Thomas Riley Unemployed man - - Slim Cole Unemployed man - - Ted Edwards Unemployed man - - Louis Fitzroy Unemployed man - - Crew Credited for the 1959 release:[3] Charles Chaplin - DirectorCharles Chaplin - ProducerCharles Chaplin - WriterCharles Chaplin - Original MusicPaul Davies - EditorDerek Parsons - EditorBob Jones - Sound RecordistWally Milner - Sound RecordistJ.J.Y. Scarlett - Sound RecordistEric Stockl - Sound RecordistEric James - Music ArrangerEric Rogers - ConductorEric Spear - Music ArrangerJerome Epstein - Assistant to Mr. Chaplin Release dates UK: September 1, 1959Finland: December 25, 1959Denmark: July 28, 1960Germany: October 9, 1997:[3] Reception The Chaplin Revue was critically acclaimed when released in 1959.[4] According to Top Ten Reviews, which gives ratings based on average critic scores, it is ranked: 88th – 1959835th – 1950s3,095th – comedy Concerning the DVD release, reviewer Robert Horton says: \"This box set is more than film history; it\'s a living treasure.\" However, some reviewers have been critical of the re-release due to its format. To allow for a soundtrack, the original footage was stretched and certain frames were duplicated. Walter Kerr in The Silent Clowns declares that the \"cadence of all three films, and of Chaplin\'s work in them, is utterly destroyed. Let no newcomer to the form begin acquaintance with Chaplin on such terms; only the originals will do.\"[1] A Dog\'s Life (1918) is a silent film written, produced and directed by Charlie Chaplin. This was Chaplin\'s first film for First National Films. Chaplin plays opposite an animal as \"co-star\". \"Scraps\" (the dog) was the hero in this film, as he helps Charlie and Edna toward a better life. Edna Purviance plays a dance hall singer and Charlie Chaplin, The Tramp. Sydney Chaplin (Chaplin\'s brother) had a small role in this film; this was the first time the two brothers were on screen together.[1] Charles Lapworth, a former newspaper editor who had met Chaplin when he interviewed him, took a role as a consultant on the film.[2] Contents 1 Cast2 Stills3 References4 External links Cast Charlie Chaplin - The TrampEdna Purviance - Bar singerMut - Scraps, a thoroughbred mongrelSyd Chaplin - Lunchwagon ownerHenry Bergman - Fat unemployed man/Dance-hall ladyCharles Reisner - Employment agency clerkAlbert Austin - Employment agency clerk / ThiefBud Jamison - ThiefTom Wilson - PolicemanM. J. McCarthy - Unemployed manMel Brown - Unemployed manCharles Force - Unemployed manBert Appling - Unemployed manThomas Riley - Unemployed manSlim Cole - Unemployed manTed Edwards - Unemployed manLouis Fitzroy - Unemployed man Shoulder Arms is Charlie Chaplin\'s second film for First National Pictures. Released in 1918, it is a silent comedy set in France during World War I. The main part of the film actually occurs in a dream. It co-starred Edna Purviance and Sydney Chaplin, Chaplin\'s brother. It is Chaplin\'s shortest feature film. Contents 1 Plot2 Credited cast3 Reception4 See also5 External links Plot Charlie is in boot camp in the \"awkward squad.\" Once in France he gets no letters from home. He finally gets a package containing limburger cheese which requires a gas mask and which he throws over into the German trench. He goes \"over the top\" and captures thirteen Germans (\"I surrounded them\"), then volunteers to wander through the German lines disguised as a tree trunk. With the help of a French girl he captures the Kaiser and the Crown Prince and is given a statue and victory parade in New York and then ... fellow soldiers wake him from his dream. Credited cast Charles Chaplin ... Charlie, the DoughboyEdna Purviance ... French girlSyd Chaplin ... The sergeant, Charlie\'s Comrade/The KaiserJack Wilson ... German Crown PrinceHenry Bergman ... Fat German sergeant/Field Marshal von Hindenburg/BartenderAlbert Austin ... American Officer/Clean Shaven German Soldier/Bearded German SoldierTom Wilson ... Dumb German Wood-CutterJohn Rand ... U.S. soldierJ. Parks Jones ... U.S. soldier (as Park Jones)Loyal Underwood ... Small German officerW.J. Allen ... MotorcyclistL.A. Blaisdell ... MotorcyclistWellington Cross ... MotorcyclistC.L. Dice ... MotorcyclistG.A. Godfrey ... MotorcyclistW. Herron ... Motorcyclist Reception Shoulder Arms proved to be Chaplin\'s most popular film, critically and commercially, up to that point. A review in the October 21, 1918 New York Times was typical: \"\'The fool\'s funny,\' was the chuckling observation of one of those who saw Charlie Chaplin\'s new film. Shoulder Arms, at the Strand yesterday—and, apparently, that\'s the way everybody felt. There have been learned discussions as to whether Chaplin\'s comedy is low or high, artistic or crude, but no one can deny that when he impersonates a screen fool he is funny. Most of those who go to find fault with him remain to laugh. They may still find fault, but they will keep on laughing.\" The Pilgrim is a 1923 American silent film made by Charlie Chaplin for the First National Film Company, starring Chaplin and Edna Purviance. The film marks the last time Edna Purviance would co-star with Chaplin and the last film he made for First National. Purviance also starred in Chaplin\'s A Woman of Paris (1923), in which Chaplin had a brief cameo. It was Chaplin\'s second-shortest feature film, constructed more like a two-reeler from earlier in his career. It is also noted as the first film for Charles Riesner, who became a screenwriter in his later years. In 1959, Chaplin included The Pilgrim as one of three films comprising The Chaplin Revue. Slightly re-edited and fully re-scored, the film contained a song, \"I\'m Bound For Texas\", written and composed by Chaplin, and sung by Matt Monroe. Contents 1 Plot2 Cast3 Reception4 References5 External links Plot The Pilgrim (Chaplin), an escaped convict, steals a minister\'s clothes to replace his prison uniform. At a train station, he encounters an eloping couple who want him to marry them. The woman\'s father shows up and takes her away. The convict then picks a destination at random and ends up in Devil\'s Gulch, Texas, on a Sunday. A delegation is waiting to welcome their new parson. With the sheriff nearby, the Pilgrim has to keep playing his part. A large deacon takes him to the church, where he improvises a sermon about David and Goliath. It has been arranged for the parson to board with Mrs. Brown and her attractive daughter. The latter and the Pilgrim are attracted to each other. A complication arises when the crook, the Pilgrim\'s old cellmate, spots him. Curious, the man pretends to be the Pilgrim\'s old college friend and is invited to tea by Mrs. Brown. Among the other guests are a man and wife and their young boy, who proceeds to annoy everyone. Also present is the large deacon, who refuses to accept Mrs. Brown\'s mortgage payment on the Sabbath. Despite the Pilgrim\'s best efforts, the crook later steals the money and flees. The Pilgrim promises Miss Brown he will get the money back. After he leaves, however, the sheriff shows the young woman a wanted poster for her boarder. The crook heads to a casino. Despite a robbery in progress, the Pilgrim manages to retrieve the money. He gives it and the church collection to Miss Brown. When he is apprehended by the sheriff, Miss Brown comes to his defense, revealing what he has done. As a result, the sheriff takes his prisoner to the border and orders him to pick him some flowers on Mexican land. Not taking the hint, the Pilgrim returns. The sheriff has to literally kick him out of American jurisdiction before he recognizes the lawman\'s act of kindness. However, his enjoyment of the peace of a new land proves to be short-lived; several gunmen pop out of the undergrowth and start shooting at each other. The frightened Pilgrim hastens away, straddling the border as he ponders his options. Cast Charles Chaplin – The Pilgrim [\"Lefty Lombard\" according to a newspaper]Edna Purviance – Miss BrownSydney Chaplin – Eloper / Train Conductor / Little Boy\'s FatherMack Swain – Large DeaconLoyal Underwood – Small DeaconDean Riesner – Little BoyCharles Reisner – Howard Huntington, alias \"Nitro Nick\", alias \"Picking Pete\"Tom Murray – SheriffHenry Bergman – Sheriff on Train / Man In Railroad StationMarion Davies - Congregation member (uncredited)Kitty Bradbury – Mrs. BrownMai Wells – Little Boy\'s Mother Reception Chaplin biographer Jeffrey Vance considers The Pilgrim to be an important work and gives the film careful consideration in his 2003 book Chaplin: Genius of the Cinema in contrast to other Chaplin biographers.[1] Vance writes, \"The Pilgrim is one of Chaplin\'s richest--and most neglected--films.\"[2] Vance praises the film\'s economy of action, classical theatrical roots (including Molière and the British music-hall), the sharp edge to the film\'s comedy, and the ironic ending with Chaplin\'s character straddling the international line between the USA and Mexico.[3] Chaplin Revue From the moment he entered movies, Charles Chaplin knew that he needed total creative autonomy in order to make the kind of comedy of which he alone was capable. This autonomy he finally achieved in 1918, when he built his own studio. Hollywood was still rural, and the studio rose up among the orange groves in the grounds of an old mansion. Disguised on the outside as an old English village street, the interior of studio was, for those times, state of the art. Chaplin celebrated his move with an amusing little documentary film, How to Make Movies, which showed the facilities and personnel of the studio, and his own daily routine. In fact the film was never completed or released; and this precious view of early Hollywood was not seen until 1959 when Chaplin included some shots in his compilation The Chaplin Revue. “A Dog’s Life” The films that Chaplin made in his own studio were a marked advance on any comedies previously made in Hollywood. They were generally longer – as much as 45 minutes, whereas few comedies before that time went beyond half an hour – and much more sophisticated in staging and structure. The first was A Dog’s Life, for which Chaplin found an excellent co-star, in the person of a charming mongrel dog, Scraps, whose battle for survival with the other dogs of the quarter is satirically compared with Charlie the Tramp’s own struggle for a place in society. Along with his regular leading lady Edna Purviance – playing a much-abused singer and hostess working in the seedy Green Lantern bar – Chaplin is joined for the first time by his brother Sydney, who had shared his early struggles and helped him make his way on the variety theatres on the variety theatre circuit. An excellent comedian in his own right, Sydney plays the proprietor of the coffee stall which is victim to the pilfering of Charlie and Scraps. An odd feature of A Dog’s Life is that Chaplin has abandoned his usual cane – presumably because he needed his hand free to hold the dog’s leash. The First World War was already raging when Chaplin opened his studio; and A Dog’s Life was finished in a hurry so that Chaplin could do his war effort by embarking on a tour to sell Liberty Bonds, persuading the public to buy investments that supported the war effort. “Shoulder Arms” His friends were nervous of his next project, a comedy about the war, which was to become Shoulder Arms. Even Chaplin himself had momentary doubts about making comedy out of such a catastrophic event in human history. Yet with this film he proved definitively that there is only the thinnest division between comedy and tragedy. With great brilliance, Chaplin depicts the horrors of life in the trenches – mud, blood, hunger, vermin, longing for home, the waterlogged trenches and the ever-imminent danger of a lethal bullet or grenade – through the distorting mirror of comedy. Few directors exerted such discipline upon themselves. His original plan was to show the little hero’s life before and after the war. In the end, though, he simplified the structure, discarding reels of wonderful comic material he had shot. Despite all the initial fears, Shoulder Arms was and remains one of his greatest successes. And no-one appreciated his comedy of the privations of life at the front more than the very men who had themselves endured it. “The Pilgrim” In 1959 Chaplin reissued A Dog’s Life and Shoulder Arms, slightly re-edited, in his omnibus film, The Chaplin Revue. He complemented them with a third film The Pilgrim. Made in 1922, this was Chaplin’s last film of less than normal feature length – it ran for an hour – and the last in which his leading lady was the charming Edna Purviance. The film is a gentle satire on small-town life and religion, with Chaplin as an escaped convict mistaken for the new pastor of a rural community. When the film first came out it suffered a good deal from censorship in some more puritanical states and cities of the United States. Today we have no such problems with this charming comedy and its sharp but good-hearted fun at the expense of the small hypocrisies of life Text by David Robinson / Copyright 2004 MK2 SA La Revue de Charlot Depuis ses débuts au cinéma, Charles Chaplin savait qu’il avait besoin d’une autonomie créative totale pour réaliser le type de comédie dont lui seul était capable.Il finit par conquérir cette autonomie en 1918, quand il construisit son propre studio.Hollywood se trouvait encore en pleine campagne, et le studio s’éleva au milieu des orangeraies, sur l’emplacement d’une ancienne villa. Camouflé vers l’extérieur en vieille rue de village anglais, le studio, à l’intérieur, représentait alors le dernier cri de la technique.Chaplin l’inaugura en tournant un amusant petit documentaire, How to Make Movies (Comment faire du cinéma), qui montrait les installations et le personnel du studio et sa propre activité quotidienne. Le film ne fut jamais monté ni présenté, et ce coup d’œil précieux sur le Hollywood des débuts ne fut livré au public qu’en 1959, lorsque Chaplin en inclut quelques plans dans son anthologie La grande revue de Charlot.Les films tournés par Chaplin dans son studio marquaient un net progrès sur les comédies jusque-là réalisées à Hollywood.Ses films étaient généralement plus longs et beaucoup plus raffinés, dans leur mise en scène comme dans leur structure. Une Vie de Chien Le premier fut Une vie de chien. Chaplin trouva un excellent partenaire avec un charmant chien bâtard du nom de Mutt. La lutte de Mutt pour survivre au milieu des autres chiens du quartier est ironiquement comparée à celle de Charlot pour trouver sa place dans la société. Une grande partie de l’action se déroule dans un saloon de bas étage, The Green Lantern où l’héroïne, interprétée par Edna Purviance, est une hôtesse-chanteuse maltraitée. Les aventures de Charlot avec son ami chien et ses démêlés avec deux voleurs sont l’occasion de belles scènes comiques,Mais en même temps on trouve un certain réalisme dans le décor du saloon mal famé et de ses habitués. Dans Une vie de chien, Chaplin est rejoint pour la première fois par son frère Sydney, qui avait partagé ses années de misère et l’avait aidé à faire son chemin au music hall.Lui-même un excellent acteur comique, Sydney joue le propriétaire du stand de saucisses qui subit les chapardages de Charlot et de Mutt. Une particularité d’Une vie de chien : Charlot y a abandonné, sa canne, sans doute parce qu’il avait besoin d’une main libre pour tenir la laisse de Mutt. La Première Guerre mondiale faisait rage quand Chaplin ouvrit son studio, et il accéléra la finition d’Une vie de chien pour participer à l’effort de guerre et participer à une tournée de promotion des “Liberty Bonds”, destinée à persuader le public d’acheter ces emprunts de soutien à l’effort de guerre. Charlot Soldat Ses amis se montrèrent inquiets quand il se lança ensuite dans une comédie sur la guerre, qui allait devenir Charlot soldat. Chaplin lui-même eut parfois des doutes à l’idée de tirer une comédie d’une telle catastrophe pour l’humanité. Mais avec ce film, il prouva une fois pour toute combien est ténue la frontière entre comédie et tragédie Chaplin décrit brillamment les horreurs de la vie au front : la boue, le sang, la faim, la vermine, le mal du pays les tranchées inondées, le danger permanent d’une balle ou d’une grenade mortelle, tout cela est vu à travers le miroir déformant de la comédie. Peu de cinéastes se sont imposé une telle discipline.Son premier projet était de montrer la vie quotidienne de son héros avant la guerre. Mais en fin de compte, il simplifia la structure, écartant des bobines entières de scènes superbes. Malgré ses craintes initiales, Charlot soldat fut un de ses plus grands succès et l’est resté. Personne n’apprécia mieux cette comédie sur les privations de la vie au front que les hommes qui les avaient eux-mêmes vécues. Le Pèlerin Le troisième film de cette anthologie est Le Pèlerin. Réalisé en 1922, ce fut le dernier film de Chaplin à ne pas être un long métrage, et aussi le dernier où il eut pour partenaire la charmante Edna Purviance. C’est une satire légère de la vie dans une petite ville et de la religion. Chaplin y joue un prisonnier évadé qui vole les vêtements d’un ecclésiastique en train de se baigner, et qui arrive dans la petite ville de Dead Man’s Gulch, où on attend justement l’arrivée du nouveau pasteur. L’ancien forçat tient son nouveau rôle de manière quelque peu insolite, et du même coup connaît une rédemption, due en partie, bien sûr, à l’amour de la belle Edna. A sa sortie, le film subit les foudres de la censure dans certains Etats et dans certaines des villes les plus puritaines des Etats-Unis. Aujourd’hui, nous n’avons pas de tels problèmes avec cette charmante comédie à l’humour mordant, mais bon enfant, aux dépens des petites hypocrisies de la vie. Tels sont les trois films que Chaplin choisit de réunir, légèrement remontés, sous le titre de La grande revue de Charlot. Il composa pour eux de nouvelles partitions musicales et même une chanson pour Le Pèlerin, Bound for Texas. 3268